L.A. Rock band
Hello Machine are super cool guys. Joey the guitar player is an old friend. In fact we used to play in a band together. That was a long time ago though...
Here is a photo of the band. We're the two guys on the end.
One of the comps - "Hello Machine"
This shoot was interesting because there was zero pre production. There were no concepts discussed, no ideas batted around, nothing. Joey called me and said they need some images and that one of the guys in the band has access to a cool house. Actually I think he said "edgy images" but that was it.
When we got to the house the first thing I did was a scouting pass. I found all the places I liked and threw out a few ideas. It's not like they really could have said no to whatever I suggested anyways. So I began to setup. In this case I set up the first three shots before beginning to shoot. I wanted to be able to roll the guys through a couple of setups without having to break to keep the momentum going.
The first setup had this cool chair with a skylight directly above. I just used a bounce to kick some light back up on his face. so his eyes were not so dark.
I don't remember the settings on this one something like f/2.8 - 1/60
The next setup had a matching couch. I wanted to step up the edgy a little so I gridded a beauty dish for a more contrasts look. The wall behind the couch was really reflective as well as the frame so it took a while to figure out the specular highlights.
I ended up cropping the final image a little. f/8 - 1/30 - ISO320
The third of the first three setups we didn't end up using because I didn't like how they turned out. I don't think I even presented them to the band.
The home owner had a really cool garage with a checkered floor so we set up in there next. For this Setup I used three lights, 1)My key was a beauty dish, 2)an umbrella as a fill and 3) a gridded light as a hair/rim light. I did a group shot here as well.
The Next Three at: f/10 - 1/200 - ISO200
The Next two shots we're really almost grab shots. We were breaking for lunch and on the way out I grabbed Indy and said sit here. There was a bench directly under this painting and a small window at the end of the hall (camera right.) This image took less than a minute. I ended up bringing the guys back after lunch but the sun had moved and it just didn't have the same feel. This is probably my favorite shot from the day.
f/4 - 1/60 - iso400
This was an actually grab shot. After lunch the boys were having a smoke. I just pointed the camera and click three shots. I removed a few blemishes and added the b/w color effect in photoshop.
f/2.8 - 1/160 - ISO400
At the beginning of the day I had looked at this vacant lot across the street from the house. It was a big dirt patch with with cliff overlooking the city below. I daisy chained five 50 foot extension cords together. The main Light was a 60'' Shoot Through Umbrella, With two Gridded RIM lights coming from each side behind the guys. My cords would barely reach because I used all of my extensions just getting power out to this field.
The city itself wasn't particularly interesting but I saw this vision in my head. The issue is that we never get clouds in L.A. and the sun was in the wrong place. I didn't realize I was going to composite them until I got back in the studio. I keep playing with the shutter speed to achieve a desirable result of the clouds in the background. .
Final Composite. Would anyone like to see a tutorial my post processing?
RAW File Out of Camera was
f/9 - 1/40 - ISO100
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